Churches of Italy

Milan Cathedral (Italian: Duomo di Milano; Milanese: Domm de Milan) is the cathedral church of Milan in Lombardy, northern Italy. It is the seat of the Archbishop of Milan, currently Cardinal Dionigi Tettamanzi. The cathedral is significant in the promulgation of the Christian faith, for its role in the establishment of Catholic traditions of worship, its outstanding musical heritage and the splendour of its Gothic architecture. Built from the late 14th well into the 19th century (and in a sense, never completed as work continues), the Duomo di Milano is one of the world's largest churches, being second in size within Italy only to Saint Peter's Basilica in Rome, and being the second largest Gothic cathedral in the world, after the Cathedral of Seville in Spain.

The Basilica of Saint Peter (Latin: Basilica Sancti Petri), officially known in Italian as the Basilica di San Pietro in Vaticano and commonly known as St. Peter's Basilica, is located within the Vatican City in Rome. It occupies a "unique position" as one of the holiest sites and as "the greatest of all churches of Christendom". In Catholic tradition, it is the burial site of its namesake Saint Peter, who was one of the twelve apostles of Jesus and, according to tradition, was the first Bishop of Antioch, and later first Bishop of Rome. While St. Peter's is the most famous of Rome's many churches, it is not the first in rank, an honour held by the Pope's cathedral church, the Basilica of St. John Lateran. Catholic tradition holds that Saint Peter's tomb is below the altar of the basilica. For this reason, many Popes, starting with the first ones, have been buried there. There has been a church on this site since the 4th century. Construction on the present basilica, over the old Constantinian basilica, began on April 18, 1506 and was completed in 1626.

The Cathedral or Duomo of Florence as we see it today is the end result of years of work that covered over six centuries of history. Its basic architectural project was designed by Arnolfo di Cambio at the end of the 13th century; the cupola that has made it a symbol for the whole of Tuscany was created by that genius of the Renaissance, Filippo Brunelleschi, while the facade that completed it was carried out as late as the late 19th century. A whole series of structural and decorative interventions to both the exterior and the interior that were to enrich the history of the monument were carried out during this space of time: these range from the construction of the two sacristies to the 16th century marble flooring, and from the execution of the sculptures to the frescoes, signed by Paolo Uccello, Andrea del Castagno, Giorgio Vasari and Federico Zuccari (the Last Judgement in the cupola). The third and last Florentine cathedral (the cathedral is always the church that is the seat of the bishopric), it was given the name of Santa Maria del Fiore (Holy Mary of the Flower) in 1412 in clear allusion to the lily symbol of the city. It was built on top of the second cathedral, which early Christian Florence had dedicated to Santa Reparata and which remained in activity for nine centuries, until orders were given to demolish it in 1375: considerable remains of this construction, which was slightly more than half the size of the present basilica and completed by two belltowers, can be seen today in the archeological area underneath the Cathedral.

St Mark's Basilica (Italian: Basilica di San Marco a Venezia), the cathedral of Venice, is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies on St Mark's Square (in the San Marco sestiere or district) adjacent and connected to the Doge's Palace. Originally it was the "chapel" of the Venetian rulers, and not the city's cathedral. Since 1807 it has been the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building was known by the nickname Chiesa d'Oro (Church of gold).

The Franciscan monastery (Sacro Convento) and the lower and upper church (Basilica inferiore e superiore) of St Francis were begun immediately after his canonization in 1228. Simone di Pucciarello donated the land for the church, a hill at the west side of Assisi, known as "Hill of Hell" (it. Collo d'Inferno - here the criminals were put to death). Today, this hill is aptly called "Hill of Paradise". The foundation stone was laid by Pope Gregory IX on 17 July 1228, although construction may already have been begun. This impressive church was designed and supervised by brother Elia Bombardone, one of the first followers of St. Francis and the former provincial minister of Syria. The lower basilica was finished in 1230. On Pentecost 25 May 1230 the uncorrupted body of St. Francis was brought in a solemn procession to the lower basilica from its temporary burial place in the church of St. George (now the basilica of St. Clare). The construction of the upper basilica was begun after 1239. Construction was completed in 1253. Its architecture is a synthesis of Romanesque and French Gothic artwork, establishing many of the typical characteristics of Italian Gothic architecture.(web site in Italian)

Between the first Cathedrals of Verona which date from the 4thCentury and Titian’s Assunta in the Duomo (1530) is a millennium in which Art and FaitAffresco trecentesco -San Fermo-h have met together.The Historical Churches of Verona offer a panorama of artistic continuity and purity of the principal works which is rarely found in Italy. You only have to think of the church of San Zeno, a Romanesque prototype, famous world wide for its ecceptional bronze entrance doors and the splendid Mantegna Triptych. But the other churches ore no less important: San Lorenzo, far example, with its highly original external towers giving access to the women’s galleries, or the Gothic feeling of San Fermo with its unusual lower church with four naves.